TIME TO REST OR PERHAPS STOP ALLTOGETHER

I’ve been very busy over the last four years exhibiting artwork across the country. I’ve been in some 70 shows, including 39 exhibitions at college or university art venues and museums. I’ve  packed and shipped countless pieces of work to galleries in 23 states from Oregon to Florida. I’ve done a seemingly endless number of different series using most every tool or technique at my disposal. Some of the work has been rewarding and some pedestrian. I’ve learned some things along the way and, overall, it’s been a worthwhile experience.

But, now, the old man is tired and it’s time to stop. I’ve reached a kind of Forrest Gump threshold, where I’ve simply decided to stop running. There are no parameters to this threshold and no clearly delineated reasons for stopping–at least that I’m willing to discuss in depth in a public forum such as this.  I’m just stopping. Stopping implies an end, although it also suggests that the opposite (starting) could take place at some point in the future. I wouldn’t rule out the possibility of becoming a full-time exhibiting art junkie again, perhaps in 2016 when the U.S. Presidential election cycle comes to fruition. There’s nothing quite like organized idiocy to rekindle one’s taste for artistic social commentary.

On the other hand, perhaps I’ll leave art behind altogether and pursue something else. For some time I’ve been interested in the concept of doing nothing and being good at the pursuit of nothingness. Perhaps I’ll learn how to have fun. Perhaps I’ll focus on my family, which now includes a baby granddaughter. Maybe I’ll write. Maybe I’ll play music again. Maybe I’ll just be.

So, for now, it’s goodbye. Goodbye to art and goodbye to blogging about the arts. Adios, Muchachos!

 

 

PHOTOS OF THE FLETCHER EXXHIBITION

Here are a couple of images of my print, A Boy and His Gun, hanging at the Fletcher Exhibition at East Tennessee State University’s Reece Museum. More photos of the show can be found on the Fletcher Exhibit Facebook page.

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Southern Printmaking Biennale VI: University of North Georgia

One of my recent screen printed broadsides, The Trajectory of Truth, has been accepted for the upcoming Southern Printmaking Biennale VI at the University of North Georgia. The exhibition will take place at the Bob Owens Gallery on the campus of the University of North Georgia in Dahlonega , GA. The show runs from November 10 to December 12, 2014. Since the print is a broadside containing a considerable amount of wording, I’ve reprinted the text below:

In a previous time, facts and truth were established by cumulative experience, the interpretation of that experience (wisdom), the scientific method, journalistic inquiry, or adjudication–a legal method of deriving truth through conflict.

As time passed, fact and truth were established largely through repetition. If something was said or written often enough, it was taken as truth. As the technology of truth-telling became better and better, the people of that time were able to repeat the truth of the day with increasing rapidity and efficiency. They relied on technology to help repeat truth and the technology of the day became integral to truth-telling. Eventually, there came a time when technology equaled truth and anything that was written was accepted as true simply because of it’s technological basis.

At the exact time when the process of truth-finding changed, the legitimacy of previous methods was ridiculed to a point where the validity of such methods became an open question. The more these attacks were repeated, the less people believed in truth discerned through cumulative wisdom, science, journalism, or law. In time, the traditional pillars of truth-finding were dismantled by repetition and rejection. Today, their remnants can be seen on the distant landscape, held aloft by the remaining defenders of age-old truth.

Below: David Willison. The Trajectory of Truth. Screen printed Broadside. 15″x22″

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THE FL3TCH3R EXHIBIT AT ETSU’S REECE MUSEUM

One of my intaglio prints will be showing in the upcoming Fl3tch3r Exhibit at East Tennessee State’s Reece Museum. The exhibition runs from  October 15 to December 3, 2014.

THE 2014 FL3TCH3R EXHIBIT is a multi-national juried exhibition in memory of artist Fletcher H. Dyer. The show features socially and politically engaged art and proceeds fund the Fletcher H. Dyer Memorial Scholarship.

Below: David Willison. A Boy and His Gun. Intaglio with inkjet border. 15″x22″

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ROGUE COMMUNITY COLLEGE: THE SUBJECT IS WAR

Two of my mixed-media pieces have been accepted to the upcoming exhibition at The Wiseman Gallery at Rogue Community College in Grant’s Pass, Oregon. The show is entitled, The Subject Is War. The exhibition will run from November 5 – December 10, 2014.

Below, Top: David Willison. The Recipe for War. Hand-made book with screen prints. 14″x10″

Below, Bottom: David Willison. Peep Show Number Two: Pakistan. Hand-cranked Flip Book. 16″x9″12

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DELAWARE STATE UNIVERSITY: CIVIL RIGHTS MOVEMENT-1964-1968

Two of my pieces (see below) have been accepted to the upcoming exhibition at Delaware State University. The show is entitled, A Commemoration of the Civil Rights Movement: 1964-1968. The exhibit will take place in The Arts Center/Gallery and will run from September 29 – November 7, 2014.

Below,Top: David Willison. Sinewave of History #2. Screen print. 15″x22″ (18×24 framed)

Below, Bottom: David Willison.The Sinewave of History. Screen print on MDF in hand-made box frame. 15″x22″

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ART&SOCIAL CHANGE: San Joaquin Delta College


Five of my pieces have to accepted for the upcoming Art and Social Change exhibition at the LH Horton Gallery at San Joaquin Delta College in Stockton, California. The show is scheduled to open October 9, 2014 and run through the first week of November. The exhibition was selected by Jen Delos Reyes, an Assistant Professor at Portland State University.

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Pictured Below(top to bottom)

David Willison. North by SouthWest. Intaglio. 12″x24″

David Willison. The Devil’s Radio #3. Acrylic and stencil on reclaimed book pages. 22″x30″

David Willison. The Recipe for War. Artist’s book with screen prints. 6″x24″

David Willison. The Amazing Mind Converter. Automated Flipbook

David Willison. Hand In Glove. Intaglio with inkjet border. 16″x20″

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